My work draws from the atmospheric vastness of West Texas, where industrial structures and open desert coexist in uneasy tension. These landscapes shaped my understanding of distance — not only physical distance, but emotional and psychological separation.
Through oil and digital processes, I construct ambiguous spaces where memory, erosion, and human intervention collapse into one another. I am interested in the way environments retain evidence of presence long after narrative disappears.
These works are less depictions of place than investigations of residue: what remains after use, after movement, after meaning begins to dissolve. The resulting images occupy a threshold between recognition and uncertainty, inviting viewers to confront the instability of memory and the persistent psychological charge of landscape.